A Third Term for a Popular Chancellor: An Analysis of Voting Behaviour in the 2013 German Federal Election
Volume 23, Issue 4, December 2014, pages 251-267<br/>10.1080/09644008.2014.953488<br/>Harald Schoen
Volume 23, Issue 4, December 2014, pages 251-267<br/>10.1080/09644008.2014.953488<br/>Harald Schoen
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Sara MoriThe essay explores some aspects of cultural sociability in which foreigners were involved in Pisa in the fi rst half of the nineteenth century. Pisa was a small town, but since the beginning of the nineteenth century, it became a popular desti…
Eloisa Betti
Precarious work is an highly controversial topic in the contemporary debate. Its political and economic implications are discussed at national, European and global level by different international institutions such as the International Labour Organsation. This contribution wants to elaborate on the phenonenon of precarious work from a gender perspective. It analyses the academic debate on the nexus between gender and precariousness which has developed in the historical and social sciences over the past 40 years. Adopting this interdisciplinary – gender and historical – perspective, this contribution presents precariousness as a historical phenomenon, present in industrial capitalism since the earliest stages of its development. Accordingly, comparing conditions of work in the late nineteenth and early twentieth centuries with those prevailing in the twenty years of the system’s greatest economic growth (1950-1970), it demonstrates that female job precariousness is not a recent phenomenon but a longue durée process within industrial capitalism.
Laetitia Levantis
For European travellers visiting Venice during the nineteenth century, theaters, libraries, archives and museums, are spaces for meetings based on the history and art of Venice. Connected to the terraferma by a railway bridge in 1850, the city – ruled by the Austrian Empire since the Congress of Vienna (1814-1815) , developed its own balneary potential. The exceptional properties of lagoonal waters revealed by medical publications draws, until the end of the century, thousands of European patients longing to enjoy the benefi cial effects of the «Venetian cure» in the lagoon. Once denounced as unhealthy, Venice’s water is now extolled and appreciated for its healing properties. With the advent of modern tourism in the middle of the century, bathing as a source of delight progressively supplants bathing for therapeutical effects in the fl oating establishments placed all along the Grand Canal, and in the main hotels of the city.
Luigi Tomassini
Souvenir d’Italie is the title of the image-document here presented: an album at Nazional Museum Alinari of Photography, dated 1871, and composed by 56 photos, that ideally realized a classic itinerary by foreign visitors in Italy. We try to analyze it comparing with other albums of the same kind, with the catalogues of the most important photographs of that time, and also with coeval sources of different type, as guides for visitors, or magazines as Le Tour Du Monde. The latter was an illustrated review the offered to its reader the opportunity of virtual travel in many parts of the world, in Italy too.
Monica PaciniThis article questions the role played by the Grand Ducal Florence as a destination for travel and stays of foreign people in the Forties of the Nineteenth century. The starting point is a list of foreign guests who attended cultural event…
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Pierre Musitelli
„Whoever has no other ties in life should come and live in Rome. There they will fi nd, for society, a land that nurtures refl ection“, writes Chateaubriand in his letter to Fontanes in 1804. Beyond the Romantic topos of Rome as a place of seclusion, as an intimate setting for poetic meditations, beyond the deep-rooted liberal tradition of anti-Roman feelings and the indifference of Italian historiographers to Roman sociability, more recent studies, from the 1990ies on, have underlined the necessity not to restrict the cultural life of such a cosmopolitan city to writers and foreign artists, bringing to light the constant exchanges between the ruling classes, the patriarchate and international elites. Through the study of individual cases, this article examines the intellectual and aesthetic vitality which characterized cultural institutions (such as academies and universities) as well as more informal meeting places (such as salons and cafés), and focuses on the slow transition from an aristocratic social life to a bourgeois sociability, in the European context of the extension of travels and tourism to a wider public.
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