The imagined ‘other’ and its shifts: politics and identifications in Turkish Cyprus
10.1080/14608944.2016.1189409<br/>Magdalena Dembinska
10.1080/14608944.2016.1189409<br/>Magdalena Dembinska
10.1080/09644008.2016.1182992<br/>Oliver Schmidtke
10.1080/00905992.2016.1169263<br/>Maria Bucur
Quelle: http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1002%2Fbewi.201601775
Quelle: http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1002%2Fbewi.201601796
Quelle: http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1002%2Fbewi.201601765
“[A]n der Front des Kampfes um den Menschen selbst”. Anthropogenetics and Anthropotechnics in Soviet Thought. The period between 1920 and 1930 reveals in Russia a practical manifestation of the technologies of the self, which see the body not only in a poetic-symbolical way, but practically as a material of shaping and rebuilding. In this bio-social discourse of a genetically perfected ‘new man’, Russian theorists of eugenics are looking back on traditional parallels of animal and plant breeding. The most influential group of eugenics were the Russian biologists, especially the key players and the founders of the Russian genetics research Nikolai Kol′tsov (1872–1940) and Aleksandr Serebrovskii (1892–1948). It will be demonstrated that ‘human breeding’ (Russ. ‘Antropotekhnika’) is based both on the semantics and on the methodology of traditional animal and plant breeding.
Less Erroneous Pictures. Whalers’ Knowledge in Nineteenth-Century Natural History, Oceanography, and Literature. This paper uses the iconoclasm of Herman Melville’s Moby-Dick as a point of departure to examine the problem of representing whales pictorially. Focussing on the use of images in cetological works and whaling logbooks, the paper investigates how the whalers’ knowledge, which served the hunting, killing, and economic exploitation of whales, came to be inscribed in the antithetical work of natural historians who were increasingly interested in living organisms. This paper argues that Melville’s juxtaposition of whalers’ and naturalists’ knowledge runs parallel with a dichotomy, along which natural histories, travelogues, and thematic maps of oceanography constitute the whale as an object of knowledge. It concludes by suggesting that, at the same time, this dichotomy is repeatedly undermined for the sake of the whale’s representation.
Quelle: http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1002%2Fbewi.201601792
Quelle: http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1002%2Fbewi.201601795
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