Archiv für die Kategorie ‘18th century’

0119 Patrick Kragelund, Nathanson, Eckersberg’s Moses, and Danish Haskalah (‚Reformed Judaism‘)

Among the patrons of the young C. W. Eckersberg (1783-1853), the Jewish merchant M.L. Nathanson (1780-1868) was the most important. A key figure in the process eventually leading to […]

0116 Katarina Horvat-Levaj, The Sicilian Architect Tommaso Maria Napoli and the Baroque Cathedral of Dubrovnik

The design of the Dubrovnik Cathedral (1671-1713) – a monumental three-nave basilica with a dome over the crossing – was commissioned, thanks to Abbot Stjepan Gradić, from the Roman architect Andrea Bufalini. […]

0101 Fabien Benuzzi, Committenze europee di scultura veneziana nel Settecento. Una panoramica e alcune ipotesi di lavoro

Research on the European success of Venetian art during the 18th century has above all examined the activity of the painters. This paper analyzes the works of Venetian sculptors through some important case studies. […]

0100 Jesper Svenningsen, A noble circle. The vogue for collecting Italian paintings in Denmark 1690-1730

This article presents a closer look at an important moment in the history of art collecting in Denmark when Italian art first began to be admired by noble virtuosi. During the last decade of the 17th […]

0088 Anne Puetz, Drawing from Fancy: The Intersection of Art and Design in Mid-Eighteenth-Century London

This paper attempts to bring the world of mid-eighteenth-century British design into fruitful conversation with contemporary art theory and practice. Taking the neighbourhood and milieu of the St Martin’s Lane area in London […]

0087 Matthew Craske, Model Making and Anti-Competitive Practices in the Late Eighteenth-Century London Sculpture Trade

This article concerns the generation of anti-competitive practices, and the associated discontents, that rose to the fore in the London sculpture trade in the late eighteenth century (1770-1799). It charts the […]

0086 Katie Scott, Persuasion: Nicolas Pineau’s Designs on the Social

This essay offers a Latourian account of the wood sculptor Nicolas Pineau’s design process via a reading of Jean-François Bastide’s novella La petite maison. It argues that […]

0076 Katarina Horvat-Levaj and Margareta Turkalj Podmanicki, A Viennese Project in Valpovo (Croatia)

The Parish Church of the Immaculate Conception of the Virgin Mary in Valpovo (1733–1736), exceptional both in its spatial organization and the design of its exterior, was constructed in specific […]

0077 Pavla Machalíková, Handwerklicher Hintergrund und Perspektiven akademischer Studien. Zum Frühwerk Joseph Führichs

The study of the early works by Joseph Führich helps to elucidate his role in the formation of the national schools of painting as understood by the early 19th century. It also reveals the […]

0052 Pavel Suchánek, ‚Peintre de Sa Majesté Britannique‘. Franz Adolph of Freenthal and his portrait of Maximilian Hamilton, Prince-Bishop of Olomouc

This essay examines the portrait of Maximilian von Hamilton (1714-1776), the last Prince-Bishop of Olomouc/Olmütz, painted between 1769 and 1772 by Franz Adolph of Freenthal (1721-1773), a former painter to the British royal court. […]