The institutionalisation of Slovenian art history began in 1913, when France Stele (1886-1972), a student of Max Dvořak (1874-1921), was appointed the conservator of the province of Carniola. […]
The text concentrates on the concept of South Muranów – a residential quarter / monument realised in the area of the Warsaw ghetto by the architect Bohdan Lachert […]
Tekst koncentruje się wokół koncepcji Muranowa Południowego – osiedla / pomnika zrealizowanego na terenie warszawskiego getta przez architekta Bohdana Lacherta […]
The text concentrates on the concept of South Muranów – a residential quarter / monument realised in the area of the Warsaw ghetto by the architect Bohdan Lachert […]
The author interprets Susan Silas‘ Helmbrechts walk (1998-2003), a unique series of photographs and materials collected during the walk along the route which in 1945 […]
Autorka interpretuje pracę Susan Silas Helmbrechts walk (1998-2003), szczególny cykl zdjęć i materiałów zbudowany podczas przejścia trasy, które w 1945 roku […]
Research on, and presentation of, Nazi art raises specific questions. In the present article, open questions in dealing with Nazi art are discussed with regard to selected exhibitions and works. Moreover, […]
As a theorist and curator, the Swiss art historian Georg Schmidt (1896-1965), director of the Kunstmuseum Basel from 1939 to 1961, developed a decidedly normative approach to art history, based on a philosophy which […]
The traveling exhibition "The Steins Collect" draws attention to the importance of the canon-shaping work that took place in two tiny Parisian ateliers at the beginning of the 20th century […]
Artykuł jest propozycją interpretacyjną twórczości Evy Hesse w kontekście ironii romantycznej. Punkt wyjścia rozważań stanowi jeden z tekstów autorstwa Arthura Danto, w którym amerykański filozof dokonuje […]
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