The text summs up the knowledge on the personality of Philipp van den Bossche who worked at the Prague court of Rudolph II as a silk-embroider. Heinrich Modern opened a fresh view on this artist as an outstanding landscape drawer […]
Between 1862 and 1889, the Empire of Brazil participated in the most important world’s fairs in Europe and North America. Representations of Brazil’s population and culture […]
The authors present the complex reception history of two paintings in the Dutch Painting Collection at the Strossmayer Gallery of Old Masters in Zagreb, reconstructing their provenance […]
Przedmiotem artykułu są rozważania na temat specyfiki Europy Środkowej w zakresie kolekcji i muzeów sztuki współczesnej oraz możliwość stworzenia alternatywy […]
The paper presents reflections on the specificity of collections and museums of contemporary art in Central Europe and considers a possibility of creating a regional alternative for the West. The analysis […]
The paper presents reflections on the specificity of collections and museums of contemporary art in Central Europe and considers a possibility of creating a regional alternative for the West. The analysis […]
Research on the European success of Venetian art during the 18th century has above all examined the activity of the painters. This paper analyzes the works of Venetian sculptors through some important case studies. […]
This article presents a closer look at an important moment in the history of art collecting in Denmark when Italian art first began to be admired by noble virtuosi. During the last decade of the 17th […]
Research on, and presentation of, Nazi art raises specific questions. In the present article, open questions in dealing with Nazi art are discussed with regard to selected exhibitions and works. Moreover, […]
As a theorist and curator, the Swiss art historian Georg Schmidt (1896-1965), director of the Kunstmuseum Basel from 1939 to 1961, developed a decidedly normative approach to art history, based on a philosophy which […]
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