Archiv für die Kategorie ‘historiography of art history’

0075 Iain Boyd Whyte, Nikolaus Pevsner: art history, nation, and exile

In September 1933, Nikolaus Pevsner travelled to England as a refugee from National Socialist Germany. This article investigates Pevsner’s continuing debt at this time to German art history in general, and to […]

0074 Nissim Gal, Traces of the Unrepresentable in the Modernist Discourse of Clement Greenberg and Michael Fried

The present essay aims to remap the modernist writing of Clement Greenberg and his successor Michael Fried from the late 1930s to the 1960s. Attentive reading of the canonical texts they authored will surprisingly reveal that […]

0073 John Richards, Oblivion Deferred: Altichiero in the Fifteenth Century

Altichiero was the dominant north Italian painter of the later Trecento. In Padua, in the 1370s and early 1380s, he worked for patrons close to Petrarch and […]

0064 Herman van Bergeijk, „Ein großer Vorsprung gegenüber Deutschland“. Die niederländischen Architekten auf der Bauhausausstellung von 1923 in Weimar

This article discusses the Dutch contribution to the International Architecture Exhibition that was part of the Bauhaus Manifestation in 1923. The Dutch architect J.J.P. Oud, together with […]

0059 Margaret Daly Davis, Vincenzo Scamozzi als Leser der antiken Schriftquellen und Denkmäler: Der "Indice copiosissimo" zu Sebastiano Serlio

Already in his early youth Sebastiano Serlio’s writings were well-known to Vincenzo Scamozzi. In particular Serlio’s third book, dedicated to ancient Roman architecture, and his first two books on geometry and perspective, formed […]

0058 Hubertus Günther, Scamozzi kommentiert Serlio

This article presents the Serlio-copy of 1551 with the glosses of Scamozzi which the Ernst von Siemens Foundation has acquired for the library of the Zentralinstitut für Kunstgeschichte. We present the realia of the volume and the glosses in the conte…

0064 Herman van Bergeijk, "Ein großer Vorsprung gegenüber Deutschland". Die niederländischen Architekten auf der Bauhausausstellung von 1923 in Weimar

This article discusses the Dutch contribution to the International Architecture Exhibition that was part of the Bauhaus Manifestation in 1923. The Dutch architect J.J.P. Oud, together with […]

0055 Keith Holz, "Brushwork thick and easy" or a "beauty-parlor mask for murder"? Reckoning with the Great German Art Exhibitions in the Western democracies

This analysis of the reception of the Great German Art Exhibitions in presses in the Western democracies identifies limits, oversights, and key assumptions in these texts. Over time these assumptions […]

0048 Fae Brauer, Contesting "Le corps militaire": Antimilitarism, Pacificism, Anarcho-Communism and ‚Le Douanier‘ Rousseau’s La Guerre

The 1889 Military Law, far from being of no concern to neo-impressionists, was the subject of antimilitarist cartoons by Maximilien Luce and antimilitarist paintings by the neo-impressionist outsider, ‚Le douanier‘ Rousseau. […]

0047 Claire Maingon, Claude Monet, mentor ou repoussoir de la génération néo-impressionniste?

Was Monet the father of neo-impressionism? This article investiges the various answers that have been offered to this controversial question by examining the relationships […]