‘The Gospel of Health’: American Missionaries and the Transformation of Ottoman/Turkish Women’s Bodies, 1890–1932
This article explores an overlooked aspect of American missionary modernisation efforts in the late Ottoman Empire: the attempted transformation of women's bodies. By the late nineteenth century, American missionary women and Ottoman government officials both viewed Ottoman women's bodies as a visible reflection of the empire's weaknesses, yet also as central to its survival and revival. The transformation of women's bodies from ‘uncontrolled’ to ‘robust’, they believed, was a prerequisite for a modern society. Through a close reading of missionary reports, correspondences and student memoirs, this study traces the development of physical education, hygiene and recreational sports at the missionary-run American College for Girls (ACG) in Istanbul. Over time, the female teachers at the ACG partnered and collaborated with male Ottoman/Turkish government officials to implement these courses at girls’ schools across the region. While the government endorsed physical education as key to national progress and regeneration, the ACG educators framed it as a mode of international, feminist self-empowerment. In reality, the missionaries continued to assert their own Western superiority and advance Orientalist notions through the education courses. By highlighting the shifts in women's body ideals, curricular development and nationalist rhetoric, I argue that women's bodies must be studied as a crucial site of missionary and republican reform.
Quelle: http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2F1468-0424.12181
Achilles or Adonis: Controversies Surrounding the Male Body as National Symbol in Georgian England
This paper analyses the controversy that arose when a monumental bronze nude statue of Achilles was unveiled at Hyde Park Corner (London) in 1822 as a monument to the Duke of Wellington and his army. The neoclassical statue (made by Richard Westmacott) perfectly embodied the ‘modern male stereotype’. According to historian George Mosse, this masculine image was a powerful and stable symbol of nineteenth- and twentieth-century bourgeois societies. Intended by the commanders and artist as just such a symbol, the statue in practice was unable to express these high ideals. Ever since its unveiling, the statue has elicited laughter and ridicule. The uneasiness created by male public nudity is an aspect that Mosse missed in his history of masculine imaginary, in which he focused on certain moments of ‘spectacular’ masculinity in modern Western history. Ultimately, the failure of Westmacott's Achilles can best be understood from the well-known feminist framework on the gendered ‘economy of the gaze’, a framework that is all too often absent in the historiography on masculinities.
Quelle: http://onlinelibrary.wiley.com/resolve/doi?DOI=10.1111%2F1468-0424.12178