‘CONTACT!’: New York Philharmonic Orchestra, Milton Court Concert Hall, London
Tectonics Glasgow, 1–3 May 2015
THE CASE FOR A BRITISH DARMSTADT
DRONES, TRANSFORMATION AND POLARITY IN ANNA THORVALDSDÓTTIR’S ORCHESTRAL MUSIC
‘ROCK SPECTRALE’: THE CULTURAL IDENTITY OF THE ELECTRIC GUITAR IN TRISTAN MURAIL’S vampyr!
DISAPPEARING SOUNDS: FRAGILITY IN THE MUSIC OF JAKOB ULLMANN
Introduction: Traveling War: Memory Practices in Motion
Geoffrey M. White and Eveline Buchheim
History and Memory, Volume 27, Issue 2, Page 5-19, October 2015.
History and Memory, Volume 27, Issue 2, Page 5-19, October 2015.
Quelle: http://www.jstor.org/stable/info/10.2979/histmemo.27.2.5?ai=1008&mi=umnyh5&af=R
