‘Little tools of state formation’. The admission of nobles to imperial and territorial diets in Early Modern Germany
10.1080/02606755.2015.1024082
Tim Neu
Tim Neu
Quelle: http://www.tandfonline.com/doi/full/10.1080/02606755.2015.1024082#abstract?ai=2w6&mi=47tg1r&af=R
Translating Ovide Decroly’s ideas to Brazilian teachers
10.1080/00309230.2015.1021361
Alessandra Arce Hai
Alessandra Arce Hai
Quelle: http://www.tandfonline.com/doi/full/10.1080/00309230.2015.1021361#abstract?ai=z4&mi=3fqos0&af=R
A Frenchwoman’s Imperial Story. Madame Luce in Nineteenth-century Algeria by Rebecca Rogers, Stanford University Press, 2013
10.1080/00309230.2015.1023103
Eric T. Jennings
Eric T. Jennings
Quelle: http://www.tandfonline.com/doi/full/10.1080/00309230.2015.1023103#abstract?ai=z4&mi=3fqos0&af=R
Corrigendum
10.1080/14781700.2015.1026153
Quelle: http://www.tandfonline.com/doi/full/10.1080/14781700.2015.1026153#abstract?ai=15d&mi=3fqos0&af=R
Becoming Habsburg: the Jews of Austrian Bukovina, 1774–1918
10.1080/00905992.2015.1016354
Marsha L. Rozenblit
Marsha L. Rozenblit
Quelle: http://www.tandfonline.com/doi/full/10.1080/00905992.2015.1016354#abstract?ai=z4&mi=3fqos0&af=R
0118 Martin Krummholz, Antonio Porta and Seventeenth-Century Central European Architecture
The text places the work of Antonio Porta (1631/32-1702) in the broader context of European architecture. It emphasises the close connections between Porta's architecture and the work of Francesco Caratti and Jean Baptiste Mathey, [...]
Quelle: http://www.riha-journal.org/articles/2015/2015-jan-mar/krummholz-antonio-porta
Invisible Body and the Predicaments of Existence in an Urbanizing China
This article contextualises the art practice of Beijing-based artist Liu Bolin and examines ways in which his artworks illuminate the sociopolitical conditions that regulate the everyday reality of underprivileged social groups amid China’s spectacular urban transformation in the 2000s. The tension between individual existence and the force of urbanization underlays Liu’s most important work, entitled Hiding in the City. This performance photographic series, in which Liu covered his body thoroughly with paint so that he “disappeared” into the background, was initiated as a response towards the demolition of an artist village in Beijing where the artist resided and worked. The series has since been developed into an ambitious and years-long project in which the artist surveys the disparate urban living environment of the city, bringing to the surface dominant forces that render the existence of the individuals “invisible”.
Quelle: http://journals.sub.uni-hamburg.de/giga/jcca/article/view/819