“Decolonizing Public History?”

Monthly Editorial November 2021 Abstract: The editorial explains the attraction that colonies had for the European bourgeois world – through scientific interest, “scientific,” from today’s perspective pseudo-scientific racism, as well... Read More ›

The post “Decolonizing Public History?” appeared first on Public History Weekly.

Quelle: https://public-history-weekly.degruyter.com/9-2021-9/decolonizing-public-history/

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Arte Brasileira e identidade cultural em Schiefelbein?

Schiefelbein's paintings relate to identity and landscapes by articulating representations and memories in the public and private spheres.

The post Arte Brasileira e identidade cultural em Schiefelbein? appeared first on Public History Weekly.

Quelle: https://public-history-weekly.degruyter.com/9-2021-3/brazilian-art-schiefelbein/

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Black Suffering as Profitable Art

Luke Willis Thompson's "autoportrait" has gained a nomination for this year's prestigious Turner Prize - and sparked fierce accusations of profiteering off of black suffering.

The post Black Suffering as Profitable Art appeared first on Public History Weekly.

Quelle: https://public-history-weekly.degruyter.com/6-2018-38/black-suffering-as-profitable-art/

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Prefigurative Art and Micro-Utopias

One of the important aims of prefigurative art would be the creation of “critical hope”, which Ewa Domańska presents here strategically as an obligation of any humanities scholar faced with real threats.

The post Prefigurative Art and Micro-Utopias appeared first on Public History Weekly.

Quelle: https://public-history-weekly.degruyter.com/5-2017-14/prefigurative-art-micro-utopias/

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