Geschichtswissenschaftliche Blogs auf einen Blick
The gargantuan and the diminutive are oft-encountered in war exhibitions, at the same time they pose a dilemma
The post The Gargantuan and the Diminutive – War at the Museum appeared first on Public History Weekly.
Quelle: https://public-history-weekly.degruyter.com/10-2022-6/gargantuan-diminutive-war-museums/
This text examines the role of stereoscopy in the 30-minute film poem “1:1” (Germany 2021, Telemach Wiesinger).
The post Wahrnehmung als subjektive Konstruktion: Doppelbilder appeared first on Public History Weekly.
Quelle: https://public-history-weekly.degruyter.com/10-2022-6/double-images-stereoscopic-photography/
Research results from history are also an important element in artistic practice – to varying degrees and in different work contexts.
The post Materialisierte Erinnerungen (in) der Landschaft appeared first on Public History Weekly.
Quelle: https://public-history-weekly.degruyter.com/10-2022-6/materialised-memory-landscape/
Apparently, music changes public history, and vice versa: a historical subject also shapes the music associated with it.
The post Geschichte aufführen: Musik und Public History appeared first on Public History Weekly.
Quelle: https://public-history-weekly.degruyter.com/10-2022-6/music-public-history-performance/
Different actors also negotiate the historicity of anti-tank obstacles through their different aesthetic practices.
The post Aushandlungen der Historizität von Panzersperren appeared first on Public History Weekly.
Quelle: https://public-history-weekly.degruyter.com/10-2022-6/aesthetic-negotiations-anti-tank-obstacles/
Artistic-aesthetic forms of expression and history in the public sphere are more or less interlinked in more or less obvious ways.
The post Aesthetics and/as Public History: Entanglements appeared first on Public History Weekly.
Quelle: https://public-history-weekly.degruyter.com/10-2022-6/aesthetics-public-history/