Aesthetic Experience in Public History
Public History sites often promise that visitors will be able to ‘experience history’, which has repeatedly been criticized.
The post Aesthetic Experience in Public History appeared first on Public History Weekly.
Quelle: https://public-history-weekly.degruyter.com/11-2023-6/aesthetic-experience-public-history/
Wahrnehmung als subjektive Konstruktion: Doppelbilder
This text examines the role of stereoscopy in the 30-minute film poem “1:1” (Germany 2021, Telemach Wiesinger).
The post Wahrnehmung als subjektive Konstruktion: Doppelbilder appeared first on Public History Weekly.
Quelle: https://public-history-weekly.degruyter.com/10-2022-6/double-images-stereoscopic-photography/
Geschichte aufführen: Musik und Public History
Apparently, music changes public history, and vice versa: a historical subject also shapes the music associated with it.
The post Geschichte aufführen: Musik und Public History appeared first on Public History Weekly.
Quelle: https://public-history-weekly.degruyter.com/10-2022-6/music-public-history-performance/
Aushandlungen der Historizität von Panzersperren
Different actors also negotiate the historicity of anti-tank obstacles through their different aesthetic practices.
The post Aushandlungen der Historizität von Panzersperren appeared first on Public History Weekly.
Quelle: https://public-history-weekly.degruyter.com/10-2022-6/aesthetic-negotiations-anti-tank-obstacles/
Aesthetics and/as Public History: Entanglements
Artistic-aesthetic forms of expression and history in the public sphere are more or less interlinked in more or less obvious ways.
The post Aesthetics and/as Public History: Entanglements appeared first on Public History Weekly.
Quelle: https://public-history-weekly.degruyter.com/10-2022-6/aesthetics-public-history/