Wahrnehmung als subjektive Konstruktion: Doppelbilder

This text examines the role of stereoscopy in the 30-minute film poem “1:1” (Germany 2021, Telemach Wiesinger).

The post Wahrnehmung als subjektive Konstruktion: Doppelbilder appeared first on Public History Weekly.

Quelle: https://public-history-weekly.degruyter.com/10-2022-6/double-images-stereoscopic-photography/

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Materialisierte Erinnerungen (in) der Landschaft

Research results from history are also an important element in artistic practice – to varying degrees and in different work contexts.

The post Materialisierte Erinnerungen (in) der Landschaft appeared first on Public History Weekly.

Quelle: https://public-history-weekly.degruyter.com/10-2022-6/materialised-memory-landscape/

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Aushandlungen der Historizität von Panzersperren

Different actors also negotiate the historicity of anti-tank obstacles through their different aesthetic practices.

The post Aushandlungen der Historizität von Panzersperren appeared first on Public History Weekly.

Quelle: https://public-history-weekly.degruyter.com/10-2022-6/aesthetic-negotiations-anti-tank-obstacles/

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Aesthetics and/as Public History: Entanglements

Artistic-aesthetic forms of expression and history in the public sphere are more or less interlinked in more or less obvious ways.

The post Aesthetics and/as Public History: Entanglements appeared first on Public History Weekly.

Quelle: https://public-history-weekly.degruyter.com/10-2022-6/aesthetics-public-history/

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