Aktion, Reaktion, Transformation: Die DDR in der Kunst nach dem Mauerfall
Das Promotionsprojekt hat sich zum Ziel gesetzt, eine erstmalige Übersicht und Kategorisierung der künstlerischen Auseinandersetzungen mit der DDR nach 1989 zu erstellen.
Ever since their introduction in the 19th century, photographic images have been used in religious contexts. Photographs of cult images, martyrs, religious leaders or pilgrimage sites circulated in both Western and non-Western religious traditions, including Buddhist, Christian, and, within limits, Muslim traditions. Despite their opto-chemical nature, which distinguished them from traditional means of image production, they were quickly integrated into the respective religious cultures, where they could serve different purposes. As devotional objects, photographs were not only looked at, but also touched and kissed; as part of religious rituals, they were treated with holy substances or relics, turning them into powerful agents of divine authority which could perform miracles. At a commercial level, they became collectible items, which were produced, marketed, and often collected in personal albums.
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