Kategorie: Museum

7 (2019) 4, Digital Change (Digitaler Wandel), Museum, Sport History (Sportgeschichte), Switzerland (Schweiz)

Sports History as Threatened Public History

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Sports history is an ideal vehicle for historical and socially relevant questions. As a cultural heritage, however, it endures a wallflower existence, at least in Switzerland.

The post Sports History as Threatened Public History appeared first on Public History Weekly.

Quelle: https://public-history-weekly.degruyter.com/7-2019-4/sports-history/

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6 (2017) 37, Digital Change (Digitaler Wandel), Games (Spiele), Museum

Gamification as a Miracle Cure for Public History?

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Gamification is on everyone’s lips and it's industry is booming. It is changing the teaching of history in schools and in public. Are there any limits to gamification when teaching history?

The post Gamification as a Miracle Cure for Public History? appeared first on Public History Weekly.

Quelle: https://public-history-weekly.degruyter.com/6-2017-37/gamification-cure-public-history/

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6 (2018) 12, Cultural Heritage (Kulturerbe), Museum, Stamps (Briefmarken), Switzerland (Schweiz)

Stamps Influence and Mirror Public History

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History is everywhere – but it is not always easy to perceive it. A sharpened view is needed as the example of the "stamp" illustrates. Stamps are in fact an ideal window into history.

The post Stamps Influence and Mirror Public History appeared first on Public History Weekly.

Quelle: https://public-history-weekly.degruyter.com/6-2018-12/stamps-public-history/

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6 (2018) 11, Language: Polish, Museum, Narratives (Narrative), Poland (Polen)

Who Owns the Museum Narrative?

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Who owns the museum narrative? The museum and its management, or the public? Is there only one narrative with the management being responsible for its dissemination?

The post Who Owns the Museum Narrative? appeared first on Public History Weekly.

Quelle: https://public-history-weekly.degruyter.com/6-2018-11/who-owns-the-museum-narrative/

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Artikel, beiträge, digital, Empathie, Holocaust, memory, Museum, virtual reality, Zeitzeugen

Immersive Räume und empathische Begegnungen: Hologramme und Zeitzeugenvideos als Medien der Holocausterinnerung

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Bild 1: Still aus The last goodbye (https://www.wired.com/2017/04/vr-holocaust-history-preservation/)

Pinchas Gutter ist ein letztes Mal nach Majdanek zurückgekehrt. Er führt Besucher*innen über das Gelände (Bild 1), durch Baracken (Bild 8) und die ehemaligen Gaskammern: “I have come to this place – to Majdanek – to convey the truth of what actually happened.” Ein Holocaustüberlebender, der durch eine Gedenkstätte führt, das ist nichts Neues. Allerdings befinden sich die Besucher*innen während der Führung tausende von Kilometern von der Gedenkstätte Majdanek entfernt. Das Lager und Pinchas Gutter sehen sie durch eine Virtual Reality Brille. Die Virtual Reality Animation The Last Goodbye ist eines der neuesten Projekte der 1994 von Steven Spielberg gegründeten USC Shoah Foundation.

[...]

Quelle: https://moralicons.hypotheses.org/545

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